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[sticky entry] Sticky: Works in Progress

Jun. 21st, 2024 07:40 pm
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LATEST (23 June): Supporter bonus material on Ko-fi, Lester Dent's Master Pulp Fiction Plot

Direct links to start:


Canterbury Adventures!
Issue One, start here.

Ex Pluribus Ego
Start here.

Hentaigana: The Flower of Edo
Start here.

Supernova: Premiere Issue!
Start here.

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Diane Duane is a vegetarian.

This is a harmless example of the sort of gossip I heard years ago, when I was more involved in volunteering at conventions than I am now. Other non-harmless bits of gossip include: Author A is a mean drunk; Author B and Author C use conventions to hook up away from their respective spouses; Author D hasn't written in years, and all their recent works are ghostwritten; Author E is a dimwit who can't manage their own household accounts.

Neil Gaiman can't be trusted around young women.

This rumour was told to me with the same tone of authority as the rumour about Diane Duane. She had health problems, you see. So if she was ever a guest at a con where I happened to be working, I should make sure to mention to the organizers that she really needed a vegetarian option.

As it turns out, the rumour about Diane Duane is half true. She's written about her IBS at least on Tumblr, possibly in a few other places. Which is why I'm willing to share the rumour. I don't know if the person I got the rumour from years ago had heard it from someone else, or if someone in the chain of rumour-mongering heard part of a slightly different rumour and decided that Diane Duane should be a vegetarian for her own good. Maybe she ate a salad and complained about her stomach in front of the wrong person. It's a harmless example of the sort of gossip you hear when you're an insider, or useful to insiders.

The rumour about Neil Gaiman turned out to be true. By his own statements on the matter, it's true. Neil Gaiman can't be trusted around young women.

I heard the rumour after about five years of work. I'd joined a writing group, volunteered at a couple of local conventions, volunteered at a couple of larger cons, worked my way up from moving tables and chairs to coordinating which room got what audiovisual equipment when. I went from being an outsider to being someone who was invited to hang out with authors and agents at after-parties. And after five years of work, I got to be somebody who could be warned that Neil Gaiman needed to be kept away from young women.

And that you had to provide a vegetarian option for Diane. Poor girl. Sensitive digestion and all.

The rumour about Neil Gaiman turned out to be not harmless. But it was told to me in the exact same tone as Diane Duane is a vegetarian. I heard the rumour about Diane Duane once, and it never came up again. I heard the rumour about Neil Gaiman once, and it never came up again. I heard lots of rumours once.

I don't hear rumours anymore. I haven't volunteered for a convention in decades. I still attend a few, but they're for different blocs of fandom than I used to be in, and I don't see many of the same people at them. I'm sure there are creeps and abusers and predators at these conventions, but I'm not one of the special people who gets to protect myself from them. I'm not an insider anymore.

It took over twenty years for the rumour about Neil Gaiman to turn into a bomb exploding under multiple fandoms and franchises. I can't stop wondering about the next bomb that con organizers are trying to hide.

But at least the next Diane Duane will get their vegetarian option, thanks to the whisper network. If the right person hears the rumour at the right time.

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This is a formula, a master plot, for any 6000 word pulp story. It has worked on adventure, detective, western and war-air. It tells exactly where to put everything. It shows definitely just what must happen in each successive thousand words.

No yarn of mine written to the formula has yet failed to sell.

The business of building stories seems not much different from the business of building anything else.

Here's how it starts:

1. A DIFFERENT MURDER METHOD FOR VILLAIN TO USE
2. A DIFFERENT THING FOR VILLAIN TO BE SEEKING
3. A DIFFERENT LOCALE
4. A MENACE WHICH IS TO HANG LIKE A CLOUD OVER HERO

One of these DIFFERENT things would be nice, two better, three swell. It may help if they are fully in mind before tackling the rest.

Read more... )
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The hotel corridor's thick carpet clawed at Hal Harrower's feet, making him stumble. It was the carpet, not Hal. He wasn't drunk, just tired. Maybe still a little lightheaded from blood loss.

Rolling up the hood and windshield had left him covered in swollen bruises, purple against his bronze complexion. Nightshade had no idea how much he'd hemorrhaged. Too much no matter how much. He'd needed three dozen leeches to reduce the bruising to something he could hide.

Blood loss? It had seemed like a funny joke while he was on the cot, watching fat leeches slide along his mottled flesh. No, I know exactly where it is.



Face All Made Up, Living On A Screen: An 1800+ word short story in PDF or epub, $0.99.

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A solid thunk against the wall made Sato Saki jump and drop her hairbrush. She grabbed at the brush, nearly dropped the towel wrapped around her, and then her hands were confused between trying to catch the brush and the towel and she knocked the brush out of the air. It skittered on the bathroom tiles before ending behind the toilet.

"Ew," Saki grumbled. She grabbed some toilet paper and used it to gingerly pick up the brush and place it in the sink. She needed to wash that before using it again. Saki knew what her bandmates thought and it wasn't true, she wasn't a germaphobe, just careful.

So far Belgrave had been a bit of a bust. The schedule allowed them exactly enough time to fly in, set up and rehearse, take a couple of pictures, and then perform for the contest winners. Now she and the rest of BTK69 had enough time to eat, sleep, and fly to Taiwan for their next concert.

The money was good though, so none of them were going to complain. And Hal Harrower wasn't big in streaming, but he was big enough to be worth the band's time.

Before Saki could start washing the brush she heard a ragged knocking at her door. Probably Seo-yun again, wanting to complain about her upset stomach from eating too much airport food. Saki adjusted her towel as she stepped out into the hall. She unlocked the door and turned the lever and suddenly a massive weight on the door forced it open, and Saki barely stepped back in time to avoid being slammed by the door.

The weight was Hal Harrower, boneless and floppy. Saki drew a breath to scream but it caught short in her throat. Her billionaire host nearly collapsed to the floor, barely catching himself by falling against the wall instead. His bloodshot eyes swept past Saki, staring down the little hallway into the hotel room. Harrower shoved himself to a somewhat upright posture.

"Mr Harrower," Saki spoke with all the authority she could muster while she was wearing a towel and face to face with a man at least thirty centimetres taller than her. "You can't come in here."

He said something in - not English. Was that French? Did Hal Harrower think she spoke French? Harrower said something in French and then stumbled past Saki, swaying like a child on a bicycle.

Saki watched as an obscenely wealthy and even more obscenely drunk man wobbled into her room, dropped his coat on the floor, and then slowly fell forward until he hit her bed with a crash hard enough for her to feel it through the floor.

A long deep sigh escaped from Hal Harrower, and then his breathing settled into the slow rhythm of sleep.

"Huh," said Saki. She looked at Hal Harrower passed out on her bed, shrugged, and dumped her towel on the floor. Grabbing her phone from the charging station she muttered "No such thing as bad publicity."

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I added two pieces of world-building notes to my Ko-fi, available for supporters. There's more coming over the next few days, and I'll post some fiction in my shop. Check it out!

Preview

Jun. 14th, 2024 04:27 pm
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JordanL: I appreciate the thought, I guess

JordanL: But if you want to help

JordanL: A) Ask first

JordanL: B) Send cash

416-27: This is more discreet than cash.

JordanL: Discreet?

416-27: Cash or money transfer looks like a payoff.

 

Yep. There it was. The part where he drove her crazy by saying something batshit crazy like it was the most normal thing in the world.

 

JordanL: And you think see-through silk lingerie

JordanL: Sent by a rich guy

JordanL: To a new grad with no visible means of support

JordanL: Doesn't look like a payoff?

 

"Ansetres plus aimes, explain how this man thinks he's sane?"

 

416-27: Other than my personal assistant, no one knows I sent you those gifts.

JordanL: Other than your personal assistant

JordanL: And the delivery driver

JordanL: And my building manager

JordanL: You signed the package

416-27: There's no reason for them to recognize my name.

JordanL: YOUR NAME IS ON THE BANK ACROSS THE STREET

416-27: My name isn't on signage for HTM Financial.

JordanL: "A DIVISION OF HARROWER TRUST MANAGEMENT"

JordanL: I CAN READ IT FROM HERE

416-27: We must have changed our branding. I'll check with the Chief Marketing Officer and find out when that happened.

JordanL: THAT IS NOT THE POINT YOU MANIAC

imaginarystories: Ex Pluribus Ego Banner (Ex Pluribus Ego)

"Unpacking may wait," Carrie Genoise announced. She put her feet up on a wooden stool and leaned back in her chair. Inhaling gently on her cigarette, she blew a puff of smoke out the open window.

The bedroom wasn't particularly large, but it was comfortably furnished and well lit with windows facing south and east. Carrie had claimed it as her own immediately for those two windows. Now she sat in the sun, soaking up the warmth through her dark clothes. Carrie had a few odds and ends unpacked on her bed, with her trunk and bags on the floor. Blond Isabel Perkins stood by the foot of the bed, studying the pictures Carrie had already fixed on the freshly painted wall.

"Are these all Christmas pictures?"

Sending another puff out the window, Carrie allowed herself a slight smile. "Beautiful, aren't they? Clean and quiet. All those years growing up in the brothel, these were my one escape. I'd lay in bed looking at pictures such as these, listening to the noises from below. I'd dream of sleigh rides, and warm fires, and kind families."

Looking over at Carrie, Miss Perkins half-smiled at the young woman. Carrie sighed happily. "I'd kill again for just one Christmas like that."

The half-smile vanished. "'Again'?"

Carrie matched Miss Perkin's worried gaze with a glare. "Why in the world should I repeat myself? I'm certain you heard me the first time."

"No, you said "

 

Read more... )

 

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There was nothing official about Nova City's media district, just a cluster of news sites and traditional media with their offices on the boundary of Downtown and the Novasector tech hub. The centre of the district off Broadway held the headquarters of Nova City TopPod Newsgroup, 24Global, and RENN World, all on the same block. None of them were in the Big Five of news companies, and RENN World and TopPod Newsgroup were both owned by the same media group, but they were conveniently located and had decent reputations in the industry. Journalism student Laurel Jordan decided that was good enough.

She cut thrust about thirty metres above a plaza and let herself drop to the ground, landing next to a fountain shaped like a concrete boomerang. At just over 50 kilos and a velocity of 24 metres per second she didn't hit hard enough to crack the pavement. Laurel still absorbed the impact by flexing her legs a bit, to stay in habit.

She would have thought that dropping out of the empty sky would draw attention, but there were only three people in the plaza and they were all absorbed in their phones. None of the cars going by stopped either.

 

Read more... )

 

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PAGE THREE

 

Panel 1. LAUREL JORDAN and VICTORIA "TORI" LANCE are outside in another part of downtown Canterbury (Stratford again). This is a long shot, both to set the scene and set up the next joke. Laurel is leaning aggressively in towards Tori, scowling. Despite Laurel being a bit shorter than Tori, Tori smiles nervously and is trying to avoid eye contact.

 

Laurel is "standing" on the edge of the panel, while the bottom couple of inches of Tori's ankles and feet are off-panel.

 

Laurel and Tori are standing in front of the window display of a clothing store, with a plus-sized mannequin in the window dressed in women's rockabilly style.

 

Urban Fits

Petite & Plus

 

Laurel Jordan: Dislikes the cold, so she has layered a scarf, earmuffs, and tights with a wrap sweater and long skirt.

 

Tori Lance: Heavier versions of her normal wear.

 

 

Panel 2. Pull back just a bit to a full long shot, including Laurel's platform boots. Laurel continues to lean in, while Tori leans away as she smiles nervously and points down to Laurel's boots.

 

TORI [1]:

Are those new boots? They look nice.

 

LAUREL [1]:

They are, thank you, and stop trying to change the subject. I sure hope that wasn't you jogging on the tracks again Tori?

 

TORI [2]:

No! I was home! I was nowhere near the crash! Uh, did you see m— someone?

 

 

Panel 3. Laurel leaning away now, her expression changing to nervousness. Tori grins a bit as she goes on the attack, moving the conversation away from her.

 

LAUREL [1]:

No! I was milking the cows! I was nowhere near the wreck!

 

TORI [1]:

But you don't live on a farm anymore?

 

LAUREL [2]:

It's a metaphor!

 

TORI [2]:

Milking a metaphorical cow, Laurel? Are you sure you want to

 

 

Panel 4. Both are now leaning away from each other, faces turned a bit away but as cast in each other's direction as they glare.

 

LAUREL [1]:

Are you going to stop jogging on the tracks or not?!

 

TORI [1]:

How do you know anyone was on the tracks?

 

LAUREL [2]:

I don't, because I was home and definitely not at the scene!

 

LAUREL [3]:

Is that a new sweater? It's nice.

 

TORI [2]:

Tori: Yes it is, thank you, and stop trying to change the subject!

 

 

Panel 5. Now they both lean towards the off-panel voices, relieved to have a break in the conversation.

 

BONNIE AND MARK [Off-panel]:

Tori! Laurel! Did you hear?

 

LAUREL AND TORI:

Oh thank God!

imaginarystories: Ex Pluribus Ego Banner (Ex Pluribus Ego)

NEW YORK WORLD

November 6, 1862

 

GENOISE WINS

MISS CARAMEL GENOISE, KNOWN AS 'WITCH OF NEW YORK' AND 'MOUNT OF MANHATTAN', CLAIMS HISTORIC VICTORY

Will Represent New York's 4th District in 38th Congress

Defeats Dead Opponent By 13 Votes



 

Read more... )

 

 

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PAGE TWO

 

3 panels

 

Panel 1. Bonnie is leaning forward in her seat, starting to rise out of it a bit. She is energized and ready to take on the world. Mark also leans forward, closer to Bonnie and looking directly at her face. He's not as energetic as Bonnie but ready to be convinced.

 

The fast-food employee swirls her broom around a bit, pretending to work.

 

MARK [1]:

There's not much we can do about it.

 

BONNIE [1]:

We can't just sit back! That's how these megacorporations win!

 

MARK [2]:

Bonnie, we're kids.

 

BONNIE [2]:

We can use social media! Organize! Gather people to protect the store! Protest!

 

MARK [3]:

You really think we have a chance?

 

BONNIE [3]:

We have to try!

 

 

Panel 2. Cut to outside view of Paulo Pollo front window. This is about as generic a fast food restaurant in a generic Canadian small city as you can get: Older brick buildings with modern chain stores. Downtown Wellington Street in Stratford, Ontario is a good guideline. A small tree in a planter has turned Fall red and shedding its leaves in the breeze.

 

The window sign reads

 

PAULO POLLO

[insert chicken mascot here]

Over 40 Million Locations Worldwide!

 

BONNIE [Off panel]:

If we don't take action to support local businesses, who will?

 

MARK [Off panel]:

You're right!


 

Panel 3. Back to the interior. Bonnie and Mark are both up and out of their seats, Bonnie marching off to fight a multinational megacorp with Mark following close behind. The disgruntled employee glares at both of their backs, as she stands by the table where they've left a mess of bottles and fries and burger wrappers.

 

BONNIE:

Momma always said I should use my energy for something useful!

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"Ishi, bring her some tea and a bowl of barley."

Bowing awkwardly to Yoshi, Momori croaked out something almost like thank you. Her knees shook as Ishi went into the back of the shop.

"And bring a damp cloth!" Yoshi yelled towards the workroom door. Turning back to Momori he scowled again. "Let's get that stuff off your face. Is that charcoal?"

"Ran out of dye," Momori tried to shrug the matter off. "I just covered up the white spots in my eyebrows."

"You look like a kabuki actor," Yoshi replied. "With a drunk makeup artist."

"Go choke on a donkey cock."

"Is that any way to talk to your employer?"

"You're not my employer. I'm freelance."

"And with a mouth like that, you'll never be an employee."

 

Read more... )

 

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PAGE ONE

 

3 panels

 

TITLE: UN-TRAINED ACTIVISM!

Art, colour, and writing credits can go wherever best fits.

 

In the event of a print edition, indicia will go in the bottom of this page.

 

If there's room in the page, this could be a good place for one of those old style "Starring"-type banners, with the faces of Bonnie Chance, Mark Keen, and Tori Lance and their names underneath.

 

Panel 1. BONNIE CHANCE and MARK KEEN are seated at a small table in a fast food restaurant.

 

Bonnie Chance: Denim jacket with a hood.

 

Mark Keen: Toque, sweater over turtleneck undershirt.

 

There are trays in front of Bonnie and Mark, covered with the detritus of their meals; crumpled up burger wrappers, mostly empty boxes of fries, and empty pop bottles. Mark stares lovestruck at Bonnie, fiddling with one of his his fries as he does. He is relaxed and happy, leaning forward towards Bonnie. Bonnie reads her phone, not noticing Mark's stare. She is agitated and outraged by what she sees on her phone.

 

In the background a tired 20-something woman in an old-fashioned fast food uniform (White shirt, bow tie, white cap, black skirt, chicken mascot decal on apron) leans on a broom.

 

The restaurant is PAULO POLLO, a soulless chamber for the consumption of chicken sandwiches. Vinyl, plastic, and glossy paint; the more fake you can make this place look, the better.

 

 

Read more... )
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A drone's camera caught her in mid-flight approaching King Tower, and the owner had sold the eight seconds of video to a news outlet. Now Laurel got to watch herself in flight, the first time she'd ever done so.

She looked ridiculous. Humans weren't built for flight, and rocketing through the air on beams of energy didn't look at all like the standard superheroic pose of flying flat. Instead she looked like a downhill skier leaning into a curve, cape flaring behind her as she balanced on twin beams of energy. At least the beams were impressive, all intense blue Cherenkov and bremsstrahlung radiations as the highly charged pions burnt through the air.

"For this they cancelled classes?" Laurel's normal speaking voice was down towards the deeper end of her contralto range, with just a bit of a burr.

 

Read more... )
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火事と喧嘩は江戸の華

Fires and fights are the flowers of Edo.

 

In the Shōgun's city of Edo, Momori approached the master of Himyaku.

"Hey, Publisher-san." Momori held a roll of papers out to Yoshiki, shaking it under his face. "Give me some fucking money."

The publisher of Himyaku, Yoshi, looked down on Momori from his shop's open sales floor. The more he looked the higher his eyebrows rose. His gaze touched Momori's black eye, then moved up to her charcoal-dusted eyebrows, on to the pale birthmark peeking out from below her headwrap, then finally to the wrap itself. Momori figured he was looking to see if her unnatural white forelock showed through the thinned cloth.

"What happened to you?" Asked Yoshi as his eyebrows climbed towards his freshly shaved hairline.

Momori shrugged, trying to look casual. Her empty stomach spoiled her best unconcerned look by rumbling loudly. "War. The lockdown. I was nearly arrested this morning."

"You didn't get that black eye this morning." Today was one of those days where Yoshi felt like being a pain in the ass, apparently.

"Yeah, this is from the first time I was nearly arrested." Momori shook her roll of papers again. "Just before the lockdown. One of the Shōgun's court guards came by to ask me a few questions. Mostly about that poem you paid me for."

 

Read more... )

 

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She'd never expected to actually fight anyone. Or anything.

Segmented tentacles and grabbers slid around her, struggling to find a grip. A metal pincer closed tight over her cape and yanked hard, trying to drag Laurel out from under the robot's body. Ignoring it Laurel punched up into the robot, through its steel shell. Her fist hit something hard inside the saucer-shaped machine, something that buckled and lifted as her punch plowed through the robot's machine-guts.

Metal screamed as it ruptured. The robot stalled, underbelly tentacles dropping loose around Laurel.

Shoving the robot aside revealed the sky and another machine above her. A metal cylinder, bent and broken. Laurel braced herself, waiting for a new attack. After an instant of watching the complex cylinder she realized it wasn't a missile or drone. The robot's power turbine. Launched clean through the robot's body by the force of her blow.

Did I hit it too hard? Laurel wondered as she watched the turbine fly through the grey sky. The turbine, trailing smoke, arced up and over, tumbling as its rise turned into a fall.

Laurel realized its fall was taking it towards a nearby police car, parked lengthwise across the industrial road. The cops, watching from behind the car, realized the same thing and ran.

A bit too hard, maybe, Laurel decided. The turbine came down fast onto the hood of the police car, the hard smash almost inaudible over the sound of fire and safety alarms. Well, I'll know better for next time.

 

Read more... )
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